Farshaxan la taaban karo: fikradda, tusaalooyinka iyo macnaha guud ee Brazil

Farshaxan la taaban karo: fikradda, tusaalooyinka iyo macnaha guud ee Brazil
Patrick Gray

Farshaxan la taaban karo waa erey uu abuuray farshaxaniiste Nederlaan ah Theo Van Didburg (1883-1931) 1930-meeyadii>Sidaas darteed, diyaarado, midabyo, xariiqyo iyo dhibco la isticmaalo si loo abuuro shaqo aan xisaabeed ahayn .

In kasta oo si xooggan loola xiriirinayo fanka aan la taaban karin, fakarnimadu waxay u soo baxdaa mucaarad ka soo horjeeda hadda. Abuuraha Theo Van Didburg wuxuu yiri:

Sidoo kale eeg: 8 shuqullada ugu waaweyn ee naqshadeeye Oscar Niemeyer

Rinjiyeynta la taaban karo ma aha mid aan la taaban karin, sababtoo ah ma jiraan wax ka badan oo la taaban karo, ka badan oo dhab ah oo ka badan xariiqda, midabka, dusha sare.

Ujeeddada la taaban karo, sidaas darteed, waxay ahayd in la iska fogeeyo wax matalaad ah oo aduunka. Abstractionism, xitaa haddii aysan si maldahan wax u matalin, waxay keentay haraadi calaamad ah iyo muujinta dareenka.

Farshaxanka la taaban karo, dhanka kale, wuxuu keenaa astaamo ay ka mid yihiin macnaha, isku xirnaanta xisaabta iyo caddaynta , ka soo horjeeda taas oo ah mid aan macquul ahayn oo shakhsi ahaaneed.

Daraasadda Theo Van Didburg ee shaqada farshaxanka la taaban karo

Marka lagu daro Didburg, magacyo kale oo Yurub ah oo ku jira dhaqdhaqaaqan waa Dutchman Piet Mondrian (1872-1944) ), Ruushka Kazimir Maliévitch (1878-1935) iyo Swiss Max Bill (1908-1994) .

Farshaxanka la taaban karo ee Brazil

Brazil, dhaqdhaqaaqani wuxuu bilaabmay. si loo helo xoog laga soo bilaabo 1950-yadii, ka dib markii ugu horeysay ee São Paulo Museum of Modern Art Biennial (1951).

Munaasabadani waxay keentay fanaaniinsaameeyay qaybaha kale ee adduunka oo soo bandhigay shaqada Max Bill, kaas oo la abaalmariyey oo dhiirigeliyay dhowr fanaaniinta ee gayiga qaranka.

Sidaa darteed, laba isbeddel ayaa laga sameeyay farshaxan la taaban karo, oo ay soo abaabuleen fanaaniinta Rio de Janeiro iyo São Paulo.

Grupo Frente >, sida abaabulka carocas la ogaaday, waxay keentay farshaxanno ka walaacsan habka, waayo-aragnimada iyo su'aasha, oo aan sidaas loo xirin. luqadda la taaban karo ee dhaqanka. Qaar ka mid ah ka qaybgalayaasha kooxdan waxay ahaayeen:

Sidoo kale eeg: Khuraafaadka Prometheus: taariikhda iyo macnaha
    >
  • Ivan Serpa (1923-1973)
  • Lygia Clark (1920-1988)
  • Hélio Oiticica (1937-1980)
  • Abraão Palatinik (1928-2020)
    • >Franz Weissmann (1914-2005) > Lygia Pape (1929-2004) > 12> São Paulo, si kastaba ha ahaatee, kooxda la sameeyay waxay aad ugu kalsoonaayeen mabaadi'da xisaabeed iyo macquulka ah ee laqabsiga. Magaca ay heshay wuxuu ahaa >Grupo Ruptura > , oo laga sameeyay bandhig faneedka la taaban karo ee 1952 ee MAM (Museum of Modern Art). Waxaa sameeyay dhowr fanaan, oo ay ka mid yihiin:
      >
    • Waldemar Cordeiro (1925-1973)
    • Luiz Sacilotto (1924-2003)
    • Lothar Charoux (1912-) 1987)
    • Geraldo de Barros (1923-1998)
      • >
    > Waxaa mudan in la xasuusto in rinjiyeynta ka sokow, isbeddelkani sidoo kale ka muuqday Brazil iyada oo loo marayo farshaxan iyo gabayo la taaban karo.

    Neoconcretism

    Neoconcretism ee Brazil waxay u soo baxday inay tahay qayb ka mid ah dhaqdhaqaaqala taaban karo, laakiin ka soo horjeeda.

    Manifesto Neoconcrete ka dib waxaa abaabulay fannaaniinta Grupo Frente , 1959, oo la soo jeediyay Xoriyad weyn oo abuurista iyo ku soo noqoshada mawduuca, marka lagu daro suurtogalnimada isdhexgalka dadweynaha iyo shaqada.

    Tusaaleyaal farshaxan oo la taaban karo iyo neoconcrete

    >

    Midnimada Saddex-geesoodka ah , Farshaxanistaha Swiss-ka Max Bill, waa farshaxan lagu soo bandhigay First Bienal de Arte Moderna de São Paulo, 1951. Ku guuleystey abaal marinta farshaxanimada ugu wanagsan, shaqadu waxay ka dhex muuqatay fanka Brazil.

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    Midnimada Saddex-geesoodka ah , ee uu qoray Max Bill. Credit: Wanda Svevo Kaydka Taariikhiga ah - Fundação Bienal São Paulo

    Lygia Pape waxay samaysay alwaaxyo taxane ah dabayaaqadii 1950-meeyadii, oo cinwaankeedu ahaa Tecelar .

    >

    > Tecelar (1957), by Lygia Pape

    Helio Oiticica ayaa sidoo kale sameeyay tijaabooyin badan oo muusik iyo neoconcretist ah, oo ay ka mid yihiin Metaesquemas . Waxay yihiin shuqullo lagu sameeyay gouache iyo kartoonada kuwaas oo keena qaabab joomatari oo kooban.

    > >

    Metaesquema (1958), waxaa qoray Helio Oiticica

    Lygia Clark waxay abuurtay taxane isku laabma farshaxanno uu u bixiyey Bichos . Shaqooyinku waxay ahaayeen kuwo ku habboon 60-meeyadii, horeyba waxay ku jireen wajigii neoconcretist.

    >

    Ka shaqee taxanaha Bichos , ee Lygia Clark, 1960.

    Bibliography: PROENÇA, Graça. Taariikhda Fanka. São Paulo: Editora Ática, 2002.



Patrick Gray
Patrick Gray
Patrick Gray waa qoraa, cilmi-baare, iyo hal-abuure leh xamaasad u leh sahaminta isgoyska hal-abuurka, hal-abuurka, iyo kartida aadanaha. Sida qoraaga baloogga "Dhaqanka Geniuses," wuxuu ka shaqeeyaa si uu u furfuro sirta kooxaha waxqabadka sare leh iyo shakhsiyaadka ku guuleystay guulo la taaban karo oo dhinacyo kala duwan ah. Patrick waxa kale oo uu aasaasay shirkad la-talin ah oo ka caawisa ururrada horumarinta xeeladaha cusub iyo kobcinta dhaqamada hal-abuurka. Shaqadiisa waxaa lagu soo bandhigay daabacado badan, oo ay ku jiraan Forbes, Shirkadda Fast, iyo Ganacsadaha. Asalkii hore ee cilmi-nafsiga iyo ganacsiga, Patrick wuxuu u keenayaa aragti gaar ah qoraalkiisa, isku-darka fikradaha sayniska ku saleysan iyo talooyin wax ku ool ah oo loogu talagalay akhristayaasha doonaya inay furaan awooddooda oo ay abuuraan adduun cusub oo cusub.