Shaxda tusmada
Toddobaadka Farshaxanka Casriga ah waxa uu ahaa mid taariikhi u ah madax-bannaanida dhaqameed ee waddankeenna, waxa kale oo uu u adeegay bilawgii casriyaynta.
Fannaaniinta Avant-garde - oo ay saamayn ku yeesheen tijaabadii bilicda ee Yurub ee dhawaan - loogu talagalay in lagu muujiyo. Brazil sida dhabta ah waxay ahayd: dhaqamo iyo qaabab isku dhafan.
Wax badan ka baro dhacdadii ka dhacday Theatro Municipal de São Paulo oo ay isugu keentay qorayaal, farshaxan-yaqaanno iyo fannaaniin.
Ku saabsan Toddobaadka Farshaxanka Casriga ah
Toddobaadka Farshaxanka Casriga ah waxa uu ka dhacay São Paulo, oo ku taal degmada Masraxa.
In kasta oo loogu yeedho Semana, dhacdooyinku waxay dhaceen Febraayo 13, 15 iyo 17, 1922.
Theatro Municipal de São Paulo waxay ahayd masraxa Isbuuca Farshaxanka Casriga ah.
Ogsoonow in doorashada sanadka aysan ahayn si kadis ah: 100 sano ka hor, Brazil waxay soo martay hannaan. madaxbannaanida. Doorashada ay sameeyeen kuwa casriga ah si ay nolosha u siiyaan dhacdada 100 sano ka dib munaasabaddaas cajiibka ah waxay ahayd, sidaas darteed, calaamad aad u sarreeya.
Dhacdadan, oo ay maalgalisay kafeega kafeega ee Gobolka São Paulo, ayaa isu keenay kareemka. oo ka mid ah indheergaradka fanka Brazil in uu isku dayay in uu ka fekero hababka cusub ee soo saarista dhaqanka .
Sadexdii maalmood ee la soo dhaafay, bandhigyo ayaa la soo bandhigay, akhrinta ayaa la qabtay, muxaadarooyin iyo muusiko ayaa la qabtay. Munaasabadda ayaa ka koobneyd dhowr habab farshaxan: rinjiyeyn, farshaxan, muusig iyosuugaanta.
> Daboolka buug-gacmeedka bandhigga ee uu sameeyay Di Cavalcanti.Ka qaybgalayaasha
Fannaaniinta ugu waaweyn ee ka qayb-qaatay Toddobaadka Fanka Casriga ah waxay ahaayeen:
- Graça Aranha (suugaan) >
- Oswald de Andrade (suugaan)
- Mario de Andrade> Di Cavalcanti (rinjiyeyn)
- Villa-Lobos (music)
- Menotti del Picchia (suugaan)
- Victor Brecheret (farshaxan) > 13>
- Pau-Brasil Manifesto
- Manifesto-cagaaran
- Anta Manifesto >
- Bandhigga Lasar Segall (1913)
- Bandhigga Anita Malfatti (1917)
- Model of the Monument to the flags by Victor Brecheret ( 1920) > 13>
Qayb ka mid ah kooxda casriga ah, jaranjarada, oo uu hogaaminayo Oswald de Andrade (ku fadhiya hore)
Habeenkii ugu horreeyay (February 13, 1922)
Graça Aranha (qoraaga novel caanka ah Canaã ) waxa uu furay todobaadka Fanka Casriga ah (fiidkii 13-aad) isagoo akhriyay qoraal la magac baxay Dareen bilicda fanka casriga ah .
Mar hore ayaa loo tixgeliyey a magac weyn oo dhaqanka qaranka ah - iyo sidoo kale fanaan aad u adag - magaciisa ayaa kooxda miisaan u lahaa.
Circiid, habeenkii ugu horeeyay ayaa lagu soo bandhigay bandhigyo iyo bandhigyo. Mid ka mid ah waxyaabaha ugu muhiimsan ee kulanka ayaa ahaa rinjiyeynta Ardayga Ruushka , oo ay rinjiyaysay Anita Malfatti.
Rinjiyeynta Ardayga Ruushka , oo ay samaysay Anita Malfatti.
Habeenka labaad (February 15, 1922)
In kasta oo ay jiraan kala duwanaanshiyaha bilicda leh ee u dhexeeya fannaaniinta, qayb guud ayaa midaysay kooxda casriga ah: waxay ahayd nacayb aad u daran oo ka dhan ah Parnassianism. Parnassians, marka laga eego aragtida casriga ah, waxay soo saareen agabayada hermetic, mitir ah iyo, ugu dambeyntii, madhan.
Anigoo ku daalay daawashada soo saarista farshaxan duugoobay oo caajis ah Brazil, fanaaniinta ayaa gacmaha wasakheeyay waxayna sameeyeen tijaabo taxane ah raadinta qaab cusub oo faneed .
Waa in la xasuusnaado in habeenki labaad ee todobaadka fanka Casriga uu ahaa akhrinta gabayga Os sapos, ee Manuel Bandeira. Abwaanka oo xanuunsanaya, ayaa u suurtageli weysay inuu ka soo qayb galo xafladda, inkastoo uu soo diray wax-qabadkiisii. Abuurku wuxuu kor u qaadaa cad satire dhaqdhaqaaqa Parnassian waxaana akhriyay Ronald de Carvalho:
Sidoo kale eeg: Captains of the Ciid: kooban iyo falanqaynta buugga Jorge AmadoRaha iskaashiga,
Watery Parnassian,
Waxay tidhi. : - "Buuggayga heesaha
Si fiican baa loo tumay.
Bal eeg ina-adeer
In la cuno daldaloolada!
Waa maxay farshaxan!
Hadaba marka la eego laxanka maansada waxa la dareemi karaa hawada quudhsiga faneed ee Manuel Bandeira - iyo guud ahaan kuwa casriga ahba - ay ka cadhoodeen marka la eego kuwii ka horreeyay fanka.
A Akhrinta aayadaha muranka dhaliyay waxay kicisay xamaasad iyo Ronald de Carvalho wuxuu ku dhammaaday in lagu ooriyo.
Habeenkii saddexaad (February 17, 1922)
Habeenkii saddexaad iyo kii ugu dambeeyay Toddobaadka Fanka Casriga ah xiddiggu waxa uu ahaa laxamiistaha Heitor Villa-Lobos, kaas oo keenay qayb asal ah oo isku dhafan qalabyo taxane ah.
Waxa uu hore u soo bandhigay habeenadii hore, laakiin waxa uu ka tagay shaqadiisii gaarka ahayd ee xidhitaanka.<1
Muusikiiste haddiilagu sameeyay masraxa isagoo xidhan jaakad iyo dacas. Dadweynihii ka soo qayb galay oo aad uga cadhooday labbiska aan caadiga ahayn, ayaa ku oriyey abwaankii (in kasta oo markii dambe ay soo baxday in bood-boodku uu khalad ka ahaa callus oo aan ujeeddo kicin ah lahayn).
Boorkii u dambeeyay. Febraayo 17) ee Toddobaadka Farshaxanka Casriga ah.
Ujeeddooyinka farshaxan-yahannada
Cusbooniyiinta ka qaybqaatay Toddobaadka Fanka Casriga ah waxay ujeeddadoodu ahayd inay abuuraan aqoonsi qaran iyaga oo qaadanaya dhaqanka Brazil Waqti ka baxsan .
Waxay rabeen inay saameyn ku yeeshaan fannaaniinta casriga ah si ay u fiirsadaan (samaynta kan cusub) iyo inay tijaabiyaan habab cusub oo wax soo saar farshaxan leh.
Fikirku wuxuu ahaa dib u cusboonaysii bilicda Brazil iyo ka fikirida fanka avant-garde.
Munaasabadani waxa ay u adeegtay wax kasta si ay u is waydaarsato khibradaha hal-abuurayaasha kale oo ay isu keento jiilkan cusub ee doonayey in uu soo saaro ku cusub deegaanada kala duwan ee dhaqanka
Post Event
Munaasabadani waxay yeelatay saamayn ka badan saddexdii habeen, waxaanay gaadhay dhegaystayaal aad uga ballaadhan kuwii mudnaan lahaa inuu joogo degmada Tiyaatarka.<1
Saddex joornaal ayaa la soo bandhigay intii lagu jiray Toddobaadka Fanka Casriga ah ka dibna la daabacay, waxay kala ahaayeen: Klaxon (São Paulo, 1922), A Revista (Belo Horizonte, 1925) iyo Etética (Rio de Janeiro, 1924).
19>Daboolka Majaladda Klaxon oo la sii daayay Maajo 1922.
Idealists iyodaalin la'aan, casriyeeyayaashu waxay sidoo kale qoreen afar caddayn oo muhiim ah oo naga caawiyay inaan si fiican u fahanno rabitaanka qarnigan. Waxay ahaayeen:
>Sannado ka hor Toddobaadka Farshaxanka Casriga ah, bourgeoisie-ka warshadaha ayaa ku xoogaysanayay waddanka, gaar ahaan gobolka São Paulo. Horumarka la sameeyay, waddanku wuxuu soo jiitay soo galooti badan oo Yurub ah (gaar ahaan Talyaani), taas oo keentay isku dhafka hodanka ah ee dhaqankeena hore ee isku dhafan.
by ilaalada Yurub . Sida caadiga ah waxay wadaagaan rabitaanka isbeddelka iyo rabitaanka inay caawiyaan waxay heleen dhaqan cusub.Oswald de Andrade laftiisa - mid ka mid ah magacyada waaweyn ee dhaqdhaqaaqa - wuxuu ka soo laabtay Yurub isagoo indhaha ku wasakheeyey fannaanka cubist iyo mustaqbalka mustaqbalka. . Waxa uu ogaaday ka dib markii uu ku laabtay waddankiisii:
Dhammaan konton sano ayaanu ka dambaysey dhaqankii, welina waxaynu ku dhex jirnaa Parnassianism. Si ka duwan sida inta badan la rumeysan yahay, Todobaadka Fanka Casriga ah ma ahayn dhacdo gooni-gooni ah, balse waxaa soo shaac baxay dhaqdhaqaaqyo faneed oo isdaba-joog ahaa oo dhacay sannadihii hore.
Waxaa mudan in la xasuusto ugu yaraan saddex dhacdo oo horudhac ah oo kacaan ah. insoo afjaray toddobaadka 22:
Sidoo kale eeg: 32 gabayo ee ugu wanagsan ee Carlos Drummond de Andrade ayaa la falanqeeyay >- >
Fiiri wax walba oo ku saabsan Casriga Brazil>
